Contemporary Art at Hestercombe Gallery
Hestercombe Contemporary Art Gallery aims to present the best in contemporary arts practice whilst focusing on the relationship between art and landscape. We aim to be a place where art is not just shown but where artists and designers can explore, collaborate, research and respond to make new work through residencies and commissions.
Hestercombe has always had a place at the leading edge of creativity, from Coplestone Warre Bampfylde’s groundbreaking landscape garden design with its borrowed views, to Gertrude Jeykyll and Sir Edwin Lutyens’ collaboration that pushed the boundaries of garden design and planting in the formal gardens.
Based in the historic Hestercombe House, the Contemporary Art Gallery is open daily 11am – 5pm, and entry is via our Ticket Office.
Please note, the Gallery is not yet wheelchair accessible; however for all of our exhibitions we display a documentary-style film on the ground floor.
Where Function Ends: Responses to the architecture of Sir Edwin Lutyens
14.07.19 – 27.10.19
To mark the 150th anniversary of the birth of Sir Edwin Lutyens (1869-1944), Hestercombe Gallery presents new work by three artists that responds to the legacy of the man whose designs transformed the Hestercombe site.
The Formal Garden at Hestercombe, built for the Portman family between 1904 and 1908, is one of the finest and most ambitious examples of Lutyens’ garden design partnership with Gertrude Jekyll.
Alex Hartley, Liz Nicol and Oliver Sutherland
Simon Faithfull – Elsewhen
09.03.19 – 30.06.19
The solo exhibition ‘Elsewhen’ brings together a series of works and interventions by internationally acclaimed artist Simon Faithfull that collectively act as a kind of orientation device for both the artist and the visitor to Hestercombe Gallery. Many of Faithfull’s works endeavour to subjectively map the planet that the artist finds himself on – attempting to understand his place in both time and space.
Materiality: Provisional States
10.11.18 – 24.02.19
Sarah Bennett, Megan Calver and Philippa Lawrence were directly engaged with Hestercombe for over three years and the resulting exhibition developed from these experiences. Collectively interested in issues related to labour and the management of landscape and nature, Materiality: provisional states aimed to examine and critique human and non-human centred activity found in Hestercombe’s past and present.
Sarah Bennett, Megan Calver & Philippa Lawrence